Sunday, January 21, 2007

NYU Film School

The film program at the famed Tisch school at New York University (NYU) is one of the most competitive programs of its kind in the nation. It is competitive for good reason. Their film-making facility is counted amongst the largest on the East coast. Running this enormous facility requires 11 staff members and over 50 assistants. With a film-making facility of that magnitude, it is only reasonable to assume that the film program in the Tisch school would be equally impressive when compared to other film schools.

The Todman Center for Film and Television houses a 2500 square foot film and television sound stage where students can rehearse and shoot their films and/or television programs. Rehearsal space at the Todman center is used well over 1000 times per year for student casting sessions. In separate facilities, you will find two teaching sound stages where students are trained to professionally film their scenes.

The Production Center might resemble heaven to those interested in editing. The main goal is for students to achieve a professional-looking film utilizing industry-standard equipment. This post-production area houses Steenbeck flat bed editing machines, Beta-cam SP, Pro Tools, Final Cut Pro, and Avid Media Composer, XPress, Xpress DV, and Symphony. The post production area is open for long hours from day to night, but the service hours stretch to 24-hours during especially hectic times of the school year.

The Tisch school also incorporates many editing classes into their curriculum. There is a post- production colloquium which focuses mainly upon the objectives of the editors. Students will learn about the editing process during class sessions in which they will deconstruct film clips with their peers. They will also learn to approach a the editing of a film from an aesthetic as well as a cost-effective point of view. This class is enhanced with guest speakers who will communicate their own challenges and successes in the editing room.

The first full-semester class which focuses on the art of editing is “Film Aesthetics: Editing”. In this class, students will explore the theoretical and aesthetic processes of film editing in classic and modern films. The course will also contrast common methods of editing used in narrative, experimental, and documentary films. This analyzation will help students to readily identify the ways in which editing can highlight or influence the viewer’s perspective on the subject matter. This class can be followed by more advanced classes in editing.

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